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W.H. Auden (BA)


Lullaby



Wysten Huge Auden was born in York on 21st February, 1907, this mother was a nurse and his father was a doctor. He went to St. Edmand school in 1915 were he met cristopher Isher Wood.  Auden was also at christ church oxford from 1925 to 1928. He has travelled to many countries and his frequent  visit to foreign countries has given him a fruitful literary career. Auden's first volumes of poems was dedicated to Isher Wood, he visited Germany and it was hear he can to connect with Germany celebrates songs Rabe's poetry.


Lay your sleeping head my love later and titled “Lullaby” is perhaps the best non– lyric of Auden. It was first published in 1937, and then included in the collected shorter poems, 1950. It’s theme is love. A conventional theme but it finds a fresh and original treatment.

The poem opens in end of abrupt colloquial manner of the metaphysical and in a manner of John Donne. The Lyric is in the nature of a monologue “spoken by the lover” whose believed is sleeping near him after the act love making. The beloved has gone to sleep after love making and the lover wants her to place her head on his arm. The lovers has no illusion about their love. He knows, that his beloved is a mere human being which implies and imperfection. He does not glorify her as a Goddess in the conventional manner, but he realize that she is made of the common human clay. Similarly, the lover has no elusion about himself. He knows that he is not loyal and that his love is ephemeral.  That his human life is short and its end with the gray and the only things permanent about the human condition everything else is ephemeral.

The lover does not have any illusions neither for his beloved nor for himself because he knows that he is faithless in love and that his love is ephemeral. As a matter of act he understands that man are mortals and there comes along with the growing age, oldage, access, weakness lazy and death. These are the only permanent and universal fact the human condition. Everything is temporary, even the charms of children end with the passing of time. The realistic lover also recognized that there love too is subject to Decky  and death inspite of all this short comings, the lover finds the beloved entire beautiful and wants her to remain in his arms for the whole night. She may be merely human so sinful and faithless but still he accepts her and her love and finds deep joy in her company despite the ephemeral nature of their love, the lovers  experience mystical ecstasy in their physical union with each other. Keeping the poem in a conventional theme of the metaphysical here, for the moment the souls the lovers break the bows of the body and become one, fuse and mingle with each other. Their carnal love is thus transformed into a spiritual union, a source of mystical bliss. Such as the hermit experience in moments of mystic union with God.

In this simile  Auden wants to show that there is no essential difference between the ecstasy of the lovers and the hermit in deep meditation, that is physical, thus, transformed into the spiritual and according to the metaphysical poet John Donne lovers become said of love, like the metaphysical.

Auden’s concept of love in this lyric is weight of thought and so different from the conventional lyric. The lovers have to pay the full prize in terms of suffering, for their moments of  physical satisfaction because as the night passes and when the morning comes the disillusionment and all their visions of love and beauty will come to end and they will grow entirely indifferent to each other the fountain of love will dry up in their heat and they will becomes spiritually wretched and miserable. This is the very core and center of Auden’s philosophy and this is the message of the present lyric.









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